At "ENBU Seminar", classes called workshops are being conducted separately from one year's regulation. "Do not stop the camera! "Was also a work born from a long-term workshop called Cinema Project, welcoming Mr. Shinichiro Ueda as a director of the workshop, played by 12 actors selected by the audition. How is the representative of the school and the two OGs grasping "tortoise stopping" which can be said as the title representing 2018 year after the winning at the festival? In this part 2, I asked each movie about this movie (watch out for those who have not seen!), And even asked about the possibility of an independent small work.

Photo_Daiki Sekimizu (TRYOUT) | Edit & Text_Yoshio Horikawa (TRYOUT)

映画「カメラを止めるな！」の製作元ENBUゼミナールとは？Part.1

Hints including discomfort were collected in thrilling,The lacrimal glands relax unintentionally at the last making image.

――"Do not stop the camera! I heard that it was made with millions of yen, but how much is the market price of hit movies of Japanese movies?

Chiezo HayakawaAccording to what I heard, professionals take pictures, but movies that are called so-called low budgets3,000From 10,000 yen5,000About a million yen.

Koji IchibashiWorks such as a lot of famous actors appearing or they are turning on TV5I think that it is about 100 million story or something, but nowadays there are many in Japanese movies5,000Ten thousand yen, less3,000Is it less than ten thousand yen?

――If you think so, "Do not stop the camera! Is not that exceptional?

Hayakawatruly. It is exceptional in an unusual situation.

――I think that you also saw the three sides, but what kind of impression do you have?

Kanna FujiwaraI feel that there is something close to the experience when watching theater, and something like this“Complicity relation​I mean. I think that a movie is peeking at what was taken on time axis that has nothing to do with myself, I think that it is a relationship of looking at a little birds-eye view, but "Do not stop the camera! "I felt that the same time axis was shared among audiences.​I only saw it only times, but I suppose it is similar to theater experience. It seems that everyone sitting in the audience seat is watching them together. Is it a raw experience?

IchibaI understand, I understand. There is a place like the enjoyment of the crowd of the movie theater that we all watch. I was worrying that Mr. Ueda was intending, or I could not help it.37There was only a sense of incongruity during one minute of cut, it was also clear. "Oh, this is funny.!?I mean.

――I understand (laugh). I wonder if this is going well until the end.

IchibaYes, there is strange stress as to whether it will continue as it is​A few months back before I started solving some puzzles, it seemed like "Oh that way." So the last one3At the department, I collect the hints intensely, but that is painful. So I laughed in spite of myself. With sense of unity as Mr. Fujiwara says.

Fujiwara:​ ​I think that comedies that collect hints are made by Mikuya Yukihiro and many others but I do not know what is going to happen, rather than collecting all together well. The thrill of not knowing that unfamiliarity gradually resolved was good.

IchibaI think that I can do it because I am a workshop. I rehearsed for the workshop and I spent a lot of time typing while I was going out. After properly identifying the character of each individual actor, we will rewrite the scenario to the character that matches that person. Including the elemental part of the actor makes a person extreme extreme. For example, Shuntaro Yamasaki who played the assistant role of Shun Yamagoshi who breaks his stomach. He is a graduate of us, but I feel normal behavior from the usual point (laugh). Of course I am doing it properly, but I felt that it was a wonderful addition to the character that I could not get it well. What you were dating in the workshop all the time, it has been used extensively in the screenplay / scenario.

――I see. The guesswork influenced the quality of the movie. How about Hayakawa? You are watching from professional eyes.

HayakawaI understand the situation where I myself will film a movie, so I know. I was laughing with the feeling that there was something, but when the making image appeared in the end roll, my chest got hot already. I cried because I was caught. The enthusiasm for making a movie, or the calorie at a stretch. When the lighting became bright, it became a feeling like "Why did you cry in this movie?" (Laugh).

Fujiwara:​ ​There were quite a few people who cried. It is an actor or a picture.

IchibaA place where a special makeup finishes a zombie makeup without time, a scene which drinks water at the timing when an actual photographer is resting the only camera. There are also places that are hidden so that real shooting staff will not be reflected. I can cry for a moment.

――Evaluation from overseas such as Asia, Europe and South America is very expensive.

IchibaLaughter may be common to all countries. When screening at the Italian Film Festival "37Beginning of the month42There are a lot of people who laughed at the dialogue that it is "take eyes." "I can not do it!" Even at the scene where blood was attached at the moment when I wiped the camera or the camera, it burst out laughing. In the case of Japanese, "What? What happened?!?I think that I think for a moment, people overseas laugh purely with feeling like "I wiped it!"24As it was screening from the time, it may have been a midnight high tension.

HayakawaI would like to see remakes made in other countries, right?

Fujiwara:​ ​I want to see a remake version. There seems to be interesting differences between countries.

IchibaI think that it is still a future story but that there is no possibility (laugh).

Works made with just a few million yen,Miracle that it will be screened in cinema

――Can we say that the world of Japanese painting is doing well now?TVEnlarged versions of dramas and live-action versions of popular anime are still images that the audience is still in the past​​ ​

HayakawaHow about that? But I think that it is a positive thing that various ways of making can be done compared to before. There are also cloud funding and there is also the fact that it can be made with low cost overall, and the number of works themselves is also increasing. Generally it is not known, but,​There are also quite a number of works lined up every day in the weekly late show, so I do not feel that anyone who likes going to the cinema.

IchibaSurprisingly there are many works, but it is difficult to screen for a long period of time.​For months, it will be tough if it is independent.​From week2There are a lot of weeks.

HayakawaMoreover​th​Times, late show or morning show?

IchibaUnlike cinema cinema, in the case of a mini theater where the number of screens is limited, the detailed program of the previous one is decided. I have to do screening at other theaters or something, but that negotiation is also quite difficult. Without a limited number of days, if you do not think about how much you can call customers and whether you can make a topic, even if you have a good reputation, it will end soon. However, "Do not stop the camera! "In a similar flow," Bad Genius Dangerous geniuses "(a Thai movie made with motifs actually occurred in China)“Shinjuku only​What is the movie that started in the hall across Japan?​Mansion​It expands steadily with singing phrases like something. So if you can make a purely interesting work, I feel the sign that a hit work will be born depending on the approach. Because I did not imagine that movies made with millions of yen would be screened in cinema.

HayakawaNot sure. Miraculous things.

Fujiwara:​ ​It is an unprecedented story.

IchibaI thought that there was nothing to be screened in the cinema, but it seems like this time the theater has that kind of idea, and that the distribution also does that kind of thing is surprising and at the same time a happy discovery did. Because the directors who are doing their best with independent, and the people who produce the actors are in a positive mood like "I can go a long way!"

HayakawaThat is absolutely big. This kind of thing can happen in reality.

Fujiwara:​ ​Besides, I think that it is not limited to movies. For example, for those who are creating theater and something, not because it is money or famous, because it is a huge hope for such a possibility to be visible if a good work can be made.

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Hayakawa Chie (left)
Hayakawa · Chie /NYHe majored photography at the art college of the Institute and produced his own visual work by himself. After returning home​ ​Manabu Shintani, the managing editor of Shukan Bunshun, is the creator of the so-called "Bunshun-ho" (Bunshun-cannon) tabloid scoops. After he became editor-in-chief of Shukan Bunshun in 2012,A year"ENBUTo the seminar ". A short film "Niagara" of a graduation production work,​Year Cinema International Film Festival Cine Fondationion division, Seoul International Women Film Festival (Grand Prix winner), and many other film festivals.2018In the year, the omnibus movie "Ten YearsTen Years JapanOne part of "PLAN 75Directed by.http://www.kujiraoffice.com

Yoshina Fujiwara (middle)
Fukiyama · Kana / After graduating from Kyoto University literature department,​A year"ENBUTo the seminar ". Theater creation unit <mizhen> Presided over. theater×Video celebration, No.5"Maruichi" in the quarter star contest includes the Grand Prix​Awarded. "NikkeiCOMEMO」（comemo.ioAtKOLHe also has a series as a business field. next year2/9From the day (Saturday)17Until the day (Sunday), at the apartment in Omotesando "Villa Aoyama"mizhen> "Shibuya-ku Jingumae​A chome​​ ​18​ ​Performance.http://mizhen.info

Koji Ichihashi (right)
Ichihashi Koji /1998Established in the year "ENBUSeminar "representative. After recruiting students for qualification schools and colleges / vocational schools, after advertising sales2009Current position from year. Beside the management of the seminar, when you watch movies and the stage, invite directors and directors who are active at the forefront of the scene as lecturers.http://enbuzemi.co.jp